《内蒙古大学艺术学院学报》
2014年第4期中英文论文摘要、关键词
莫尔吉胡《弦乐四重奏1号•Ⅰ乐章》创作特色管窥
张雅然
（内蒙古师范大学音乐学院，内蒙古 呼和浩特 010010）
摘 要:音乐作品的表演形式多种多样，弦乐四重奏是其中很重要的一种音乐体裁。莫尔吉胡先生这首《弦乐四重奏1号》，集中体现出其音乐创作上的许多特点。本文通过较为系统的分析，对其主题创作、曲式结构、调式和声、音乐织体形态和演奏技巧发挥等诸方面的音乐元素，进行了较为深入的阐述与研究，从中得出一些“弦乐四重奏”民族化方面的创作经验，对内蒙古“草原乐派”音乐创作具有一定的启发意义。
关键词：莫尔吉胡；四重奏；主题旋律；多声部织体；曲式结构
On Creative Features of Meregjih’s “First Movement
of String Quartet No. 1”
ZHANG Ya-ran
(Conservatory of Muisc, Inner Mongolia Normal University, Hohhot, Inner Mongolia, 010010)
Abstract: In the various performances of musical works, string quartet is a very important kind of music genre. Meregjih’s song “String Quartet No. 1” embodies many characteristics of his music creation. Through a systematic analysis, this article makes a more in-depth exposition and research on its theme creation, musical structure, tuned harmony, musical structure and shape, performance skills, and other aspects of musical elements, and draws some creative experience of nationalization of “strings quartet”, and has certain enlightening significance to Inner Mongolian “Prairie Music”.
Key words: Meregjih; String quartet; Theme melody; Multi-voice texture; Musical structure
“每日练习”与身体机能和音乐技能的增长
Jason Dovel1 著，王增鑫2 译，李 锐3 校
（1,3.肯塔基大学艺术学院，肯塔基州莱克星顿市，美国 40506
2.内蒙古大学艺术学院，内蒙古 呼和浩特市 010010）
摘 要:每个小号演奏者应该保持“每日练习”（Daily Routine）有诸多原因。在文中我会一一列出。希望这篇文章能够帮助读者对“每日练习”形成正确认识，并对自己的个人练习和进展有所帮助。文中提到的教材都很值得一试，然而还有很多其他教材可供选用，作者鼓励大家尝试不同教程，并寻求和发展一套适合自身的“每日练习”，以最大限度地帮助自己从前一天的演奏中恢复，为每天的演奏做好准备。
关键词：每日练习；身体机能；音乐技能；小号演奏
Achieving Physical and Musical Skills Through a Daily Routine
Written by Jason Dovel1 Translate by Wang Zeng-xin2 Proofread by Li Rui3
(1, 3. Art College of Kentucky University, Lexington, Kentucky, USA 40506
2.Art College of Inner Mongolia University，Hohhot，Inner Mongolia 010010)
Abstract: There are many reasons why a trumpet player should have a daily routine. I will list them one by one in the article. It is hoped that this brief introduction to the concept of a daily routine will be valuable to the reader in their development of their own regular practice regimen. While the books and studies mentioned in the article are quite valuable, they are certainly not the only books available. This author encourages us to experiment with many different trumpet method books and seek to find a daily routine that best helps us prepare for our day of playing, recover from prior days of playing.
Key words: Cdaily routine；physical instrument ；musical technical；trumpet playing
功能性转换与拙朴之美的强化
——论荣昌传统夏布工艺文化及其当代创新发展
李雪艳
（南京晓庄美术学院，江苏省南京市 210013）
摘要：荣昌夏布的织造工艺有着悠久的历史，并在传统生活中发挥着衣饰帷帐等植物性纤维织物的重要日用功能；其独特的浆漂工艺使夏布轻薄细密，色泽莹润的优良品质得以最终实现；荣昌夏布材质、肌理、工艺场景特有的拙朴之美，在当代夏布创新工艺发展中得以强化，并赋予夏布扇、画以沉静、古朴的风格；夏布现代日用品的功能性转向，返璞归真的生活理念、传统与时尚结合的设计理念将被不断呈现。
关键词：荣昌夏布；浆漂工艺；拙朴之美；当代创新
Functional Transformation and Strengthening of Simple Beauty
——Rong-chang County Traditional Linen Craft Culture and Its Contemporary Innovation and Development
Li Xue-yan
(Colleg of Fine Arts ,Nanjing Xiaozhuang University,Nanjing,Jiangsu,210017)
Abstract: Grass linen weaving technique has a long history in Rong-chang County , and it Plays an important part,such as Clothes, mosquito nets and other plant fiber fabric in traditional daily life. Special jiang-piao craft makes the grass cloth light, thin, dense, smooth and look shining. The unique natural beauty of material, texture and workplace about Rongchang linen, has been strengthened through contemporary innovation and development, and it gives fans and Paintings simple style simultaneously which is made by grass cloth .The design concept of functional transformation , simple life philosophy, and combination of traditional and modern fashion appears continuously.
Key words: Rong-chang County traditional linen;Jiang-Piao craft ; Simple beauty;Contemporary innovation
川东北木雕“牛王菩萨”的文化意蕴
李东风
（西华师范大学美术学院，四川 南充 637002）
摘 要:牛成为民间的保护神，渊源于远古的动物图腾信仰，后来演变为动物神。秦代已有祭牛神的风俗。川东北地区有供奉“牛王菩萨”的习俗，大多为20-40公分左右的木雕造像，木雕作品的菩萨和牛，形象生动、姿态各异。造像把对牛的图腾崇拜和佛教菩萨信仰结合在一起，其文化意蕴已经不是单一的宗教祭祀，是农耕文化的体现。是道教、佛教、原始图腾崇拜的综合体，充分传达出中国民俗文化的特点，具有表达农耕文化的符号意义。迄今为止川北的南部县每年都有牛王会。
关键词：牛王菩萨；牛图腾崇拜；摩醯首罗天；老子像；民俗信仰；法器
Cultural Implications of Wood Carving “Cattle King
Bodhisattva” in Northeast Sichuan
LI Dong-feng
(Fine Arts Department, China West Normal University, Nanchong, Sichuan, 637002)
Abstract: Cattle became folk patron God from an animal totem belief, and later it evolved into an animal god. There was a custom of offering sacrifice to Cattle God in Qin. “Cattle King Bodhisattvas” were enshrined in northeastern Sichuan which were mostly around 20-40 cm wooden carvings. Carvings of Buddha and cattle were vivid with various shapes. Carvings combined the cattle totem worship with the Buddhist Bodhisattva beliefs, whose cultural implication was not a single religious worship but a manifestation of farming culture and a complex of Taoism, Buddhism, primitive totem worship, which fully conveyed the characteristics of Chinese folk culture with the expression of symbolic significance farming culture. So far, “Cattle King Festival” is celebrated in Southen County in North Sichuan every year.
Key words: Cattle King Bodhisattva; Cattle totem worship; Mahesvara; Laozi sculpture; Folk beliefs; Dharma-instruments
蚺蛇与甘工鸟：黎族造物的图腾与禁忌
袁晓莉
（海南大学艺术学院，海南 海口 570228）
摘 要:人类在面对自然的压力与生存的威胁时，会求助于超自然的神灵来保护自己，它可能是对人类生存有力的某种动植物，抑或是使人无比畏惧的生灵。而蚺蛇在黎族先民的生活中，同时扮演了这两个角色。对于穿梭于山区密林和跋涉于河流的黎族人来说，蛇是重要的图腾代表，他们以印记与象征的方式将蛇形挂在门楣上、戴在脖颈上、织绣在衣服上、刻画在身体上，神圣之情状以种种物象而表达，得其保佑而世代相传；而鸟也是黎族人在生存悠关的动植物中建立起的血亲与氏族标志。鸟纹是黎族衣饰、头饰、以及文身上最为多样、最集中的反映黎族审美智慧的艺术形象，尤其是各方言的甘工鸟，都是黎族古老神话投射出的黎族社会从蒙昧走向文明的见证，是黎族先民在万物有灵的认识基础上，通过幻想与神秘认知而对自然现象与生存状态进行的感性加工。这不仅体现了黎族先民图腾文化观下的集体意识，为巫术的产生、发展以及祖先崇拜奠定了精神基础，而且用一种特殊的思维方式表达出原始记忆中的人与自然、人与社会之间的关系。同时，对于图腾的崇拜也必然生出相应的禁忌，它是以限制为手段，调节发展了黎族内部个人与集团之间的统一关系。
关键词：黎族；图腾；禁忌；蛇；鸟
Pythons and Gan Gong birds: Totem and Taboo of
Li People 's Creation
Yuan Xiao-Li
(College of the Arts, Hainan University ,Haikou, Hainan,570228)
Abstract: Human in the face of natural pressure and threats to their existence, turn to the supernatural gods to protect themselves, gods may be some animals and plants that are effective for helping human survival, or living creatures that make human extreme fear. While the pythons play the two roles at the same time in Li ancestors’ life. For shuttling in the mountains and wading in the rivers of Li people, snakes are the important representatives of totem. To mark and symbol of the way , Li people will be the shape of a snake hanging on the lintel, worn on their neck, weaved and embroidered on their clothes, tattooed their bodies, and passed on from generation to generation. Birds are also Li people's consanguinity and Clan symbol. Bird patterns is artistic image that is the most diverse, and the most concentrated reflection of Li's aesthetic wisdom in clothing, headwear and tattoo, especially the five major dialects of the Gan Gong birds, are the ancient myths in the projection of the Li society from barbarism to civilization witness; Bird patterns is Li people based on the old animistic world view, through the fantasy and mystery cognitive , worked on the perceptual processing for natural phenomena and survival situation. This not only reflects the collective consciousness of Li ancestors totem culture perspective, laid the foundation of spirit for the generation and development of witchcraft, and ancestor worship, but also through a special way of thinking expresses the relationship between man and nature, man and society in the original memory. At the same time, the totem worship will surely bring forth the corresponding taboo, it is based on the limit of the method, adjust and develop Li people's internal unity relations between individual and group.
Key words: Li People; Totem; Taboo; snakes; birds
侗族传统民居色彩象征研究
赵巧艳
（广西师范大学漓江学院管理系，广西 桂林 541006；
中国社会科学院民族学与人类学研究所博士后流动站 北京 100081）
摘 要:通过对色彩符号与象征蕴义的理论梳理，提炼出侗族基于对色彩的心理反应和情感反应在传统民居上所形成的一整套色彩象征体系。然后以这套系统中五种基本颜色——红、白、黑、黄、青（绿）为剖析对象，分别对侗族传统民居色彩象征意义传递的两个媒介物——建造仪式和空间区隔中的色彩运用及意义表征进行阐释。结论表明，无论仪式场域的色彩运用，还是横向空间或者纵向空间的色彩区隔，它们最后的象征意涵都是一致的，很好地表达了侗族传统民居所追求的幸福美满人生目标。
关键词：侗族；传统民居；色彩象征
Study on Colour Symbol of Traditional Dong Dwellings
Zhao Qiao-yan
(Department of Management, Lijiang College, Guangxi Normal University, Guangxi Guilin 541006； Post-doctoral Research Station of Institute of Ethnology and Anthropology, Chinese Academy of Social Sciences, Beijing 100081)
Abstract: Through theoretical comb about colour signs and their symbolic meanings, the article epurated a comprehensive colour symbolic system of Dong in traditional dwellings on the basis of psychological and emotional reaction for colours. Then, five fundamental colours in this system, which are white, black, red, cyan (green, blue) were chosen as analytic objects. The article interpretated respectively in detail the colour application and signification representation of two meaning intermediaries in traditional Dong dwellings. The conclusion indicates, whether the colour application in ritual field, or colour separation in horizontal or vertical space room, the final symbolic significance of colour are the same, that is the pursuit for a happy and satisfactory living aim of house owners via the dwelling.
Key words: Dong nationality; traditional dwellings; colour symbol
浅议大理小镇商铺与当地木雕发展的关系
胡 凌
（云南大学民族研究院，云南 昆明 650504）
摘 要:在剑川木雕的产业化发展模式下，工艺品的作坊式生产和集镇商铺销售不仅是一种补充，更是该手工艺文化的精华所在和希望所在。本文通过对剑川县商贸重镇甸南的木雕商铺的例说与简述，大略表明了木雕个体生产者和从业人员的生存状况与行业发展趋势。希望能够让更多人关注到非产业化的手工艺加工领域，对现有发展模式有所调整。
关键词：木雕；手工艺；发展；作坊
Shallow Discussion on The Relationship Between Dali's Shop
and Local Woodcarving Development
Hu ling
(National Institute of Yun Nan University,Kunming, Yunnan, 650504)
Abstract: In the industrialization development, the mode of producing handicrafts in workshops and selling them in the town’s shops is not only a supplement, but also the essence and hope for Jianchuan woodcarving. Through some cases and a brief introduction for these woodcarving handicraft shops in Diannan town of Jianchuan county, Dali, this paper roughly shows the living conditions of individual woodcarving producers and other participants and the development of this handicraft. We hope to attract more attention to handmade production as a possibility of deindustrialization, to change the existing main development way.
Key words: Woodcarving; Handicraft; Development; Workshop
鲁锦织造技艺的田野调查报告
张彦芬
（内蒙古大学艺术学院，内蒙古 呼和浩特 010010）
摘 要:鲁锦作为鲁西南地区特有的一种民间织造技艺，以其织造工艺的复杂性、浑厚质朴的实用性、色彩艳丽的审美性及所蕴含的吉利祥瑞的民俗寓意得以传承发展。但在现代化的冲击下，民众的生活方式及各种价值观念的檀变加上外来文化的影响，鲁锦逐渐失去了生存与繁荣的土壤，面临着保护与抢救的严峻挑战。随着政府相关部门的重视，鲁锦织造技艺于2008年被列为国家级非物质文化遗产保护名录。
关键词：鲁锦；织造技艺；艺术特征；传承
Fieldwork Report on the Weaving Technique of Lu Brocade
ZHANG Yan-fen
(College of Arts, Inner Mongolia University, Hohhot, Inner Mongolia, 010010)
Abstract: As a unique folk weaving art in the southwest region, Lu Brocade inherited and developed on the basis of its complexity of the process, rustic practicality, colorful aesthetic and implied auspicious folk meaning. However, under the impact of modernization, change of various people’s lifestyles and values and the influence of foreign culture made Lu Brocade gradually lose the soil of survival and prosperity, and faced severe challenges of the protection and rescue. With the attention of the relevant government departments, weaving techniques of Lu Brocade was listed as national intangible cultural heritage protection in 2008.
Key words: Lu Brocade; Weaving technique; Artistic characteristic; Heritage
内蒙古河套面塑的田野调查
刘雅超
（内蒙古大学艺术学院，内蒙古 呼和浩特 010010）
摘 要:产生于内蒙古自治区西部的河套面塑艺术，是内蒙古农耕文化和游牧文化交融互动的民间艺术硕果，黄河河套得天独厚的地理条件为面塑提供了优质的面粉，作为河套面塑艺术发源地的杭锦后旗地区，恰处于黄河河套的中心区域。2010年，河套面塑被杭锦后旗人民政府评定为非物质文化遗产项目，随后又入选巴彦淖尔市级的非物质文化遗产保护名录。本文通过对河套地区的地理人文环境的分析和对河套面塑工艺制作过程的展示分析，来突显河套面塑的艺术特色及因种种原因面临的发展困境。
关键词：内蒙古；河套；面塑；环境
Fieldwork on Hetao Dough Figurines in Inner Mongolia
LIU Ya-chao
(College of Arts, Inner Mongolia University, Hohhot, Inner Mongolia, 0100010)
Abstract: Produced in Hetao in the west Inner Mongolia Autonomous Region, dough figurines art is folk art achievement of Inner Mongolian farming culture and the nomadic culture. The unique geographical conditions of Hetao provides high-quality wheat flour for dough figurines. As the birthplace of Hetao dough figurines, Hangjinhouqi area locates just in the central region of Hetao of Yellow River. In 2010, dough figurines are assessed as intangible cultural heritage project by the People’s Government of Hangjinhouqi area, and then are selected for Bayannuoer municipal intangible cultural heritage protection list. Based on the analysis of geographical and cultural environment of Hetao area and the fabrication process of Hetao dough figurines, this article highlights the artistic features of the Hetao dough figurines and the various reasons of the difficulties in development.
Key words: Inner Mongolia; Hetao; Dough figurines; Environment
美洲地区“蹲踞式人形”岩画的分类与内涵阐释
张嘉馨1 孙晓勇2
（1.中央民族大学民族学与社会学学院中国岩画研究中心，北京 100081
2.兰州大学艺术学院 甘肃 ，兰州 730000）
摘 要:远去的人们已经沉默，但留下的岩画还在诉说着久远而生动的故事，展现着史前先民对外在世界和内在自我的认知与解读。本文通过对美洲大陆蹲踞式岩画的梳理和内涵挖掘，探讨蹲踞式岩画与当地风俗、神话、天地观念之间的内在逻辑关系，在每个地区独特性的基础上抽象出蹲踞式岩画这一世界性语汇的“通识”意义。
关键词：美洲大陆；蹲踞式岩画；象征意义；比较分析
Stages and Connotation of Squatting Rock Art in American Area
Zhang Jiaxin1 Sun Xiao-yong 2
(1.Minzu university RARAC Beijing 100089;2.Lanzhou university Lanzhou 730000)
Abstract: Though many people have gone, the left rock art is telling the remote and vivid stories which are presenting the perception and interpretation of ancient people on the external world and inner self. This paper, through sorting out squatting type rock art of American continent and exploring its connation, is aiming at discussing the internal logic relationship between squatting rock art and local customs, myths and concepts of heaven and earth and abstracting the “generally-recognized” meaning of squatting-type rock art as a kind of global vocabulary.
Key words: American continent; squatting rock art; symbolic meaning; comparative analysis
城镇化进程中巨野农民画发展的
人类学阐释
邢楠楠
（山东大学，山东 济南 250101）
摘 要:农民画是中国传统民间美术的代表，是生发于农村并以农民为创作主体而得以呈现的民间艺术形式。通过对山东省巨野县五个传统农民画村落的田野调查，并以巨野董官镇刘官屯村、城关镇洪庙村和独山镇王刘村为个案，调研山东省农民画的历史和村落发展现状，探讨农民画艺术形式的保护及产业的发展的问题，以巨野农民画为例的人类学阐释旨在探索城镇化进程中传统民间美术的保护及发展策略。
关键词：巨野；农民画；人类学；城镇化；民间美术
Anthropological Interpretation of Juye Peasant
Paintings Development in the Process of Urbanization
XING Nan-nan
(Shandong University, Jinan, Shandong, 250101 )
Abstract: Peasant painting is representative of Chinese traditional folk art, which is presented as a folk art form, develops in rural areas and puts farmers as creative subjects. Through fieldwork of five traditional peasant painting villages in Juye County, Shandong Province and taking Liu Guan-tun village Juye Dongguan town, Hongmiao village Chengguan Town and Wangliu Village Dushan Town as a case, this article investigates the history of peasant paintings in Shandong and village development Status and discusses the protection of art form of peasant painting and the development of industries. The anthropological interpretation of Juye Peasant painting aims to explore the protection and development strategies of traditional folk art in the process of urbanization.
Key words: Juye; Peasant painting; Anthropology; Urbanization; Folk arts
宋代至清代梅瓶局部造型设计特征
及其演变
李 航
（景德镇陶瓷学院陶瓷美术学院，江西 景德镇 333403）
摘 要:梅瓶是中国古代陶瓷器型的代表，也是国人文化审美的体现。本文运用图像学的研究方法，对梅瓶的口部、颈部、肩部等局部特征进行分析研究，得出梅瓶在造型功能上呈现出由盛酒的实用器向插花的陈设器转变的规律特征,并揭示出造型演变背后的不同朝代的审美变迁。
关键词：梅瓶；局部；设计；演变
The Local Design Feature of MeiPing and its Evolution from
Song Dynasty to Qing Dynasty
LI Hang
(Ceramic Fine Arts Department,JingDeZhen Ceramic Institute, Jingdezhen,Jiangxi,333403)
Abstract: As a unique folk weaving art in the southwest region, Lu Brocade inherited and developed on the basis of its complexity of the process, rustic practicality, colorful aesthetic and implied auspicious folk meaning. However, under the impact of modernization, change of various people’s lifestyles and values and the influence of foreign culture made Lu Brocade gradually lose the soil of survival and prosperity, and faced severe challenges of the protection and rescue. With the attention of the relevant government departments, weaving techniques of Lu Brocade was listed as national intangible cultural heritage protection in 2008.
Key words: Lu Brocade; Weaving technique; Artistic characteristic; Heritage
中国北方草原青铜饰牌构图艺术探析
郭冬梅
（内蒙古大学艺术学院，内蒙古 呼和浩特 010010）
摘 要:中国北方草原青铜饰牌艺术是北方草原早期游牧文化的重要遗存，本文试从饰牌造型之构图和形象两方面分析草原饰牌的构图艺术。从实用的视角分析饰牌构图满、繁的原因；从取景的视角、大小对比与节奏方面分析其构图形象。因为构图是涵盖几乎所有造型艺术之重要因素，所以对中国北方草原青铜饰牌构图的研究，有利于比照和启迪对其它中国北方草原造型艺术门类的深入研究。
关键词：中国北方草原；青铜饰牌；构图；形象
The Analysis of China's Northern Grasslands Bronze Decoration Art
Guo Dong-mei
(College of Arts, Inner Mongolia University, Hohhot, Inner Mongolia, 010010)
Abstract: China's northern grasslands bronze decoration art is one of the most important remaining northern prairie in the early nomadic culture. This article analyzes from two aspects of grassland decoration art , one is modelling composition ,the other is image. From the perspective of practical ornaments composition to analyze why it is full and numerous. From the perspective of view, size and rhythm to analyze the composition and image. Because the composition almost covering all of the important factors in the plastic arts, so the study of China's northern grasslands bronze decoration art is advantageous to the comparison and enlightenment to the further study of other Chinese northern prairie plastic arts categories.
Key words: China's northern grasslands; Bronze decoration; Composition; Image
中国当代油画创作中民间美术元素
应用试析
——兼论民间美术元素传承保护入课堂
敖玉楣
（呼和浩特职业学院 内蒙古，呼和浩特 010051）
摘 要:中国民间美术作为我国传统文化的重要组成部分，在当代油画领域里起着不可或缺的作用，但在深究之下，并非所有的民间美术都可应用在油画中。而对于目前带有民间美术特点的油画作品，我国评判标准也未能做到与时俱进。更重要的是，培养高校油画专业学生对于民间美术的认识也仅限于纸上谈兵，并未能渗透其深意。因此，笔者从以上三个方面进行探讨研究，希望能对带有民间美术风格的油画创作起到一定积极作用。
关键词：民间美术；当代油画；教育；发展
Application of Folk Art Elements in Chinese
Contemporary Oil Painting
——On the Heritage and Protection of Folk Art Elements into the Classroom
AO Yu-mei
(Hohhot Vocational College, Hohhot, Inner Mongolia, 010051 )
Abstract: As an important part of Chinese traditional culture, Chinese folk art plays an integral role in the field of contemporary oil painting. But getting into the depth of it, not all folk arts can be applied in the oil paintings. As for the current oil paintings with the characteristics of folk art, our criterion also failed to keep pace with the times. More importantly, the cultivation of college students for folk art painting major is limited to an armchair strategist, and failed to penetrate its meaning. Therefore, the author discusses research from the above three aspects, to hope to play a positive role to oil paintings with folk art style.
Key words: Folk art; Contemporary oil painting; Education; Development
“谋杀了上帝”之后
——京西丧礼仪式及用乐的现代变迁
姚 慧
（中国社会科学院民族文学研究所，北京 100081）
摘 要:本文将当下京西丧礼仪式中的民间瑜伽焰口佛事音乐与袁静芳的《中国佛教京音乐研究》、王海涛的《北韵佛曲》中记录的北京瑜伽焰口仪式音乐进行对比。在比较中、在仪式音乐现代转型、快餐化与世俗化的表象背后，本文探寻并剖析了当下京西丧礼瑜伽焰口佛事音乐所以产生如此嬗变的根本原因。
关键词：京西丧礼仪式用乐；瑜伽焰口；嬗变；现代性
After Murdering the God: Modern Changes of Funeral Ritual
and Its Music in West Beijing
YAO Hui
(Institute of Ethnic Literature, Chinese Academy of Social Sciences, Beijing 100732)
Abstract: The present paper conducts a contrastive study on Buddhist music of folk Yoga Yankou Rite used in current funeral ritual in west Beijing, and that described in Study of Jing Music in Chinese Buddhism by Yuan Jingfang and in North Buddhist Tunes by Wang Haitao. Through the contrastive study, it analyzes and explores the fundamental cause of the change of the Buddhist music of folk Yoga Yankou Rite, which is featured with modern transformation and secularization.
Key words: Music of funeral ritual in west Beijing; Changes; Yoga Yankou Rite; Modernity
多媒体语境下的新型母语传播方式
——以纳西语为例
朱永强
（中央民族大学，北京 100081）
摘 要:作为构成民族认同的关键因素，民族语言对民族文化及民族自身的生存和发展都有着重要的意义。随着现代化的推进，民族地区少数民族语言流失已是一个不可避免的事实，在这种情况下纳西语母语配音视频的出现让我们眼前为之一亮，新形势下的母语传承体现出其鲜明的时代特点。
关键词：多媒体;纳西语;传承
The New Language Communication Method for Naxi
Language in The Multimedia
ZHU Yong-qiang
(Minzu University of China , Bei jing 10081 )
Abstract: As a key elements of national identity, national language is very important for the ethnic culture and the ethnic group . Along with the advancement of modernization, loss of minority languages in national regions is an inevitable fact, in this case, the presence of the naxi language native language dubbing video give us a bright, which reflects the distinct characteristics of The Times.
Key words: Multimedia；Naxi language ；Communication
国际视野，家国情怀，本土行动
——全球化视野下民族传统体育继承与发展的战略思考
吕韶钧
（北京体育大学，北京 100084）
摘 要:本文站在全球化的视野下，对我国的民族传统体育的现状及其发展进行了深入的分析，研究认为当前我国的民族传统体育发展处于边缘化状态，其民族爱国价值被忽视；文化教育价值被忽略；体育健身价值被淡化，有的甚至已经濒临遗失，这不能不说是我国民族传统体育的遗憾。我们应当重视挖掘中华民族优秀的文化资源，塑造中华民族的核心价值观和国家文化形象，通过国家文化战略的实施，让世界人民认知、认同、共享我们的优秀文化，进一步扩大中国体育文化的影响力和竞争力，这也是我国民族传统体育发展中义不容辞的时代责任和历史使命。
关键词：全球化；民族传统体育；文化认知；文化认同
International vision, patriotism, and local action
——Strategic thinking of the inheritance and development of national traditional sports from the perspective of Globalization
Lv Shao-jun
(Beijing Sport University Beijing, 100084 )
Abstract: From the perspective of globalization, this paper deeply analyzes the current situation and development of national traditional sports in China. The research considers that the current development of national traditional sports are marginalized ,including that the national patriotic values are ignored; the cultural value of education is ignored; sports fitness value was weakened, and some are even on the verge of lost, which can not be said that is the regret of Chinese national traditional sports. We should attach importance to mining the excellent Chinese national culture resources, shaping the core values of the Chinese nation and national cultural identity. By the method of the implementation of the strategy of national culture, the world people can cognize, identify and share our excellent culture, to further expand the Chinese sports culture influence and competitiveness, which is also the era’s obligatory responsibility and historical mission of our national traditional sport.
Key words: Globalization; The development of national traditional sports; Culture cognition; Culture identity
艺术人类学理论研究与田野考察
本土经验的拓展
——2014年中国艺术人类学国际学术研讨会会议综述
关 祎
（中国艺术研究院艺术人类学研究所，北京 100029）
摘 要:由中国艺术人类学学会、北京舞蹈学院以及《民族艺术》杂志社联合主办的“2014年中国艺术人类学国际学术研讨会”于2014年11月1日至11月2日在京举行。整个会议围绕着艺术人类学理论研究以及田野考察个案研究两个大的主题展开，内容十分丰富，许多论文也关注到了传统文化研究的时代特色，并且提出了当代艺术人类学研究所要注意的一些方面，为现代学者提供了可借鉴的研究经验。
关键词：艺术人类学；田野调查；北京舞蹈学院
Art Anthropology Theory Research and Local Experience
Fieldwork Expansion
——Summary on 2014 China International Conference on Art Anthropology
Guan Yi
(Institute of Art Anthropology, Chinese National Academy of Arts, Chaoyang District, Beijing, 100029 )
Abstract: Co-sponsored by China Society for Anthropologies of Art, Beijing Dance Academy and the “National Arts” , the “2014 China International Conference on Art Anthropology” was held from 2014 November 1st to November 2nd in Beijing. This conference centered around two main themes: Art Anthropology research and Fieldwork on cases. The contents are very rich. Many papers are also concerned about the era characteristics of traditional cultural studies, and put forward a number of aspects which should be noted by Contemporary Art Anthropology Institute, which provides referential research experience for modern scholars.
Key words: Art Anthropology; Fieldwork; Beijing Dance Academy