内蒙古大学艺术学院学报》
2015年第2期中英文论文摘要、关键词
秧歌舞/ 忠字舞/ 广场舞
——现代中国的大众舞蹈
周 星
（日本爱知大学国际交流部， 名古屋 453-8777）
摘 要: 现代中国自20 世纪40 年代以来，相继兴起了秧歌舞、忠字舞和广场舞等多种形态的大众舞蹈。所谓“大众舞蹈”是指和专业舞蹈亦即舞蹈家们专业性演出的舞蹈形成鲜明对比、主要是由普通民众在公众场合表演或自娱自乐的舞蹈。不同形态的大众舞蹈各有其不同的时代背景及风格，本文试图对此进行初步的描述及分析，以求揭示大众舞蹈在现代中国社会中的意义。
关键词：秧歌舞；忠字舞；广场舞；大众舞蹈；艺术人类学
Yangko Dance, Loyalty Dance, Square Dance
——Popular Folk Dances in Modern China
ZHOU Xing
(Faculty of International Communication，Nagoya ，Aichi University 453-8777 )
Abstract: From the 1940s, many different types of popular folk dances appeared in modern China. Different from professional dances which are performed by professional dancers, the term “popular folk dance” in China refers to the type of dance performed by ordinary people in public places, as a kind of self-amusement activity. Different types of popular folk dances have their different historical background and different styles. This paper provides an introductory description and analysis of this social phenomenon, and tries to reveal the significance of folk dances in modern China.
Key words: Yangko dance; Loyalty dance;Square dance;popular folk dance;art anthropology
幽默：一种现实之镜
向 丽
（云南大学人文学院中文系， 云南 昆明 650091）
摘 要:在美学中，幽默归属于喜剧范畴，与滑稽、讽刺、诙谐等类型同属于笑的艺术，但它却具有自身的特质。幽默作为现实生活关系的微妙刻写，它蕴藉着人类愉悦、欢快、无奈、纠结、痛苦、绝望等诸多情感，但它终将能够把这种种历验转化为“会心的微笑”，因为这源于一种对人类存在的深刻洞察和升华。当它在笑声中出卖了人们心底的恐惧时，恐惧将有可能在一个新的世界中被消除。我们深信，具有优美品质的幽默将无限延伸这样的能力。
关键词：幽默；喜剧；笑；表征
Humour : The Mirror of Reality
XIANG Li
(Department of Chinese, College of Humanity, Yunnan University, Kunming, Yunnan ,650091 )
Abstract: In aesthetics, humor is attributed to the category of comedy, it belongs to the art of laugh as well as the funny, satire, humorousness and so on, but humour has its own characteristics. As the subtle writing on reality, humour contains human’s pleasure, cheer, helpless, tangle, pain, despair and many other emotions, but it will eventually be able to put the experience into a variety of experience, "a knowing smile," because it stems from a profound insight and sublimation of human existence. When humour betrays the fear in the hearts of people when they laugh, fear will possible be eliminated in a new world. We are convinced that humor has the beautiful quality to extend this capability.
Key words: Humour; Comedy; laugh; Characterize
论全球史诗演唱传统的谱系分类体系
傲东白力格
（西北民族大学民族学与社会学院， 甘肃 兰州 730030）
摘 要:史诗演唱分类体系是非常重要的史诗理论问题。本文根据世界各地田野调查中获得史诗演唱传统资料，对于全球史诗演唱体系做了一次系统的谱系分类。研究发现全球的史诗演唱传统根据史诗语言、史诗题名、程式、主题和故事范型等指标分为汉藏语系史诗传统、印欧语系史诗传统、阿尔泰语系史诗传统、闪－含语史诗系史诗传统、尼日尔 -刚果语系史诗传统、乌拉尔语系史诗传统、南亚语系史诗传统、南岛语系史诗传统、达罗毗荼语系史诗传统等九大模块史诗传统。这个九大模块史诗传统，可以基本概括目前发现的全世界的史诗演唱传统。
关键词：史诗传统；亲属关系；谱系分类体系
On the Pedigree Classification System of
Global Epic Singing Tradition
AO Dong Bai Li Ge
(School of Ethnology and Sociology, Northwest University for Nationalities, Lanzhou, Gansu, 730030 )
Abstract:Classification system of epic singing is a very important epic theory issue. According to the epic singing tradition materials from the field survey around the world, this article makes a systematic pedigree classification of global epic singing system. The study found the global epic singing tradition, based on the epic language, epic title, programs, themes and stories paradigm and other indicators, was divided into nine modules of epic tradition: Sino-Tibetan epic tradition, Indo-European epic tradition, Altaic epic tradition, Semito-Hamitic family epic tradition, Niger - Congo language epic tradition, Uralic epic tradition, the Austro-Asiatic family epic tradition, Austronesian epic tradition, Dravidian family epic tradition. The nine modules epic tradition can basically sum up the world’s current epic singing tradition around the world.
Key words:Epic Tradition; Kinship; Pedigree Classification System
“圣人南面而听天下”中的“南”
实指今天的东
阿尔丁夫
（内蒙古师范大学文学院，内蒙古 呼和浩特 010022）
摘 要:对“圣人南面而听天下”中的“南”，长久以来，人们无不认为系指今天的南方。这种认识并不符合实际。在先秦某个历史时期，中原人类族群，同北温带其他人类族群一样，也曾经经历过将日出方向称作“南”的四方阶段；再加上自西周初至西汉时期，中原地区各国都城没有不是坐西朝东的；这就决定了“圣人南面而听天下”中的“南”只能是指日出方向的“南”，实为今天的东。
关键词：圣人；南面；听天下；以日出方向为“南”；都城 ；坐西朝东
The "South" in "The King Ruled the World by
Facing South"Reffering to "East" Today
A Er Ding Fu
(Liberal Arts College, Inner Mongolia Normal University, Hohhot, Inner Mongolia, 010022 )
Abstract: For a long time, without exception, people consider “South” in “The king ruled the world by facing south”refers to“as South area today, which isn’t realistic. In a certain period of early Qin dynasty, like other human groups in the north temperate zone, human group in Central Plains also experienced Quartet stage that the sunrise direction was called "South"; in addition, since the beginning of the Western Zhou Dynasty to the Western Han Dynasty, all capitals of varous countries in Central Plains sat west towards east. These determine that“South”in “The king ruled the world by facing south”can only refer to the direction of the sunrise "South", which in fact, is the“east”today.
Key words:Saint; South; Ruling the World; Sunrise Direction as “south”; Capital; Sitting West Towards East
2014 年轻电影与中国电影内热外冷的格局之困
储双月
（中国艺术研究院电影电视艺术研究所， 北京 100029）
摘 要:本土化经营与国际化发展视野背道而驰、对话世界的开放意识淡薄，自然是中国电影在传播接受上陷入内热外冷困境的重要原因。2014年轻电影皆因引起网生代密切关注、热议或争议而在国内市场热卖，但其在社交媒体作为热点话题所具有的高度集中的消费热点和不断发酵所形成的传播张力，很大程度上还是无法渗透、扩散到海外市场，从而抵消品质和欣赏口味上的严苛检验。指出 2014年中国轻电影发展的现状、问题，并针对性地提出内容生产策略，对中国电影海外市场拓展意义重大。
关键词：海外市场;“快时尚”模式 ;信任和亲密关系的认同危机 ;戏仿
The Dilemma on Cold outside and Hot inside china about Relaxing Films and Chinese Films in 2014
CHU Shuang-yue
(Film and TV art institute ,Chinese National Academy of Art ,Beijing,100029 )
Abstract: The Chinese films of the acceptance was caughted in the Dilemma on Cold outside and Hot internal has two causes,localization and internationalization development field of vision on Chinese Films is contradictory,dialogue and open consciousness of the world is weak. Relaxing Films in 2014 which caused net generation of a dispute over pay close attention to, or hot sale in the domestic market, still largely impermeable, can not spread to the overseas market, to offset the strict inspection on quality and appreciation taste.Although it is a hot topic of highly centralized consumption in social media and hot spots and the spread of continuous fermentation formed by the tension . Pointed out that current situation of the development of problems on Chinese relaxing films, and puts forward the production strategy, is great significance to Chinese films overseas market expansion.
Key words: overseas market ;"fast fashion" mode; The identity crisis of trust and close relationship; parody
探索演员表演中的“下意识”
刘恩义
（内蒙古大学艺术学院影视戏剧系，内蒙古 呼和浩特 010010）
摘 要:演员在表演过程中，要想把斯坦尼斯拉夫斯基所提出“下意识”这一重要表演理论真正地付诸于舞台上的实践，就需要调动演员全部智慧与情感，要下大力气去钻研才有可能达到这种灵动的瞬间。由于舞台上的人物是由演员所扮演的假定性的形象，所以这种“下意识”的瞬间很难出现，但这并不代表演员只能凭借运气来祈求它的来临，只要弄明白“下意识”创作原理，便可得知“下意识”并不是神秘莫测的，只要按照有机天性的自然规律去感受体验，就能够达到这种灵动鲜活的瞬间。
关键词：意识；“下意识”；有机天性
Explore the Subconscious of the Actors " Performance "
LIU En-yi
(The Department of television drama, Inner Mongolia University, Hohhot, Inner Mongolia 010010 )
Abstract: Actor in the course of the performance, to want to Stanislavski proposed "consciousness" is the important theory of performance truly put into practice on the stage, we need to mobilize the actors all wisdom and emotion, to make great efforts to study only could reach the spirit of the moment. Due to the stage of the character is played by actor assumption of the image, so the "consciousness" of the moment is very difficult, but this does not mean that actors can only rely on luck to pray for the coming, just understand the theory of "consciousness" creation, "consciousness" are not a mystery that, as long as the organic nature in accordance with the laws of nature to experience can achieve the vivid moment.
Key words: Consciousness; Subconscious; Organic nature
蒙古族音乐研究百年（四）
博特乐图1 郭晶晶2
(1.内蒙古大学艺术学院 2.内蒙古社会科学院，内蒙古 呼和浩特 010010 ）
Centuries Research on Mongolian Music( Part IV）
Boteletu1, GUO Jing-jing2
(1.Art College, Inner Mongolia University,
2.Inner Mongolia Academy of Social Science Hohhot, Inner Mongolia, 010010 )
鄂温克族“扎恩达拉嘎”音乐形态特征探析
苗金海
（内蒙古大学艺术学院，内蒙古 呼和浩特 010010）
摘 要:鄂温克族民间音乐的主体包括舞蹈音乐、尼玛罕、扎恩达拉嘎三种音乐类型，从旋律形态来看，扎恩达拉嘎既有鄂温克族民间音乐的共性特征，又有其个性化的特点。本文从节奏节拍、调式调性和旋法特征三个方面的分析入手，探讨扎恩达拉嘎音乐的旋律形态特点与多样化风格。
关键词：鄂温克族；扎恩达拉嘎；多样化风格；多元文化
Music Morphological Characteristics of Ewenki"Zhaandal"
MIAO Jin-hai
(Art College, Inner Mongolia University, Hohhot, Inner Mongolia, 010010 )
Abstract: The main body of Ewenki folk music includes three types of music: dancing music, nimahan, and Zhaandal. From melodic form, “Zhaandal” contains not only the common features of Ewenki folk music, but also its individual features. Based on the analysis of three aspects of the rhythm of the beat, modal tonality and melodic features, this article discusses melody morphological characteristics and diversified styles of “Zhaandal”.
Key words: Ewenki; Zhaandal; Diversified style; Multiculture
内蒙古乌拉特前旗爬山调传承人
及其演述活动的田野调查
刘晓敏
（内蒙古大学艺术学院音乐学院，内蒙古 呼和浩特 010010）
摘 要:爬山调是在内蒙古西部河套地区广泛传唱的民间歌曲形式。乌拉特前旗是爬山调传唱较为集中的地方。笔者以乌拉特前旗爬山调传承人及其演述活动为研究对象，通过采取口述访谈、参与观察等方法，对当地爬山调的发展现状、传承人的功能与意义等相关问题进行讨论。
关键词：爬山调；传承人；演述；调查
The Field Investigation About Performing activities of the Inheritors of Mountain Tune in Urat Front Banner in Inner Mongolia
LIU Xiao-min
(Music Department of the Artistic Institute, Inner Mongolia University, Hohhot, Inner Mongolia 010010 )
Abstract: Mountain Tune is a kind of folk song widely sung in the Hetao area in the west of Inner Mongolia. Urat Front Banner is a comparatively concentrated place where Mountain Tune was sung. The author takes the performing activities of the inheritors in Urat Front Banner as the research object. At the same time, by the methods of interviewing, observing and others, the paper discusses the issues related to the status quo of development, and the inheritors’ function and significance to the local Mountain Tune.
Key words: Mountain Tune Inheritors Performing Activities Investigation
浙江景宁畲族婚俗仪式民歌《借锅歌谣》
音乐形态探析
吴 涤
（浙江丽水学院民族学院， 浙江 丽水 323000）
摘 要:畲族民歌是在畲族漫长发展过程中不断产生、演变和成熟的。而在全国各地众多的畲族民歌中，浙江景宁畲族婚俗仪式中的民歌《借锅歌谣》①尤为特别，无论从音列、变化音、调式等诸多方面都与传统的畲族民歌对比明显。本文对畲族民歌《借锅歌谣》产生的背景、形成过程和其音乐形态进行梳理剖析，力求对畲族民歌《借锅歌谣》的形成要素以及音乐形态特点有着更为深入的认识。
关键词：畲族；景宁；畲族民歌；婚俗仪式；借锅；变徵音；三声腔
Zhejiang Jingning She Minority Wedding Custom Ceremony Folk Song "Borrow pan song" Music Morphology Analysis
WU Di
(Zhejiang Lishui University institute for nationalities,Zhejiang,Lishui,323000 )
Abstract: The she minority folk songs are constantly in the process of the development of She minority long emergence evolution and mature. And in all over the country she minority folk songs,zhejiang jingning she minority wedding custom ceremony folk song “Borrow pan song” in particular. No matter from the series of sound, altered tone, mode or many other aspects are compared with the traditional she minority folk songs are in stark contrast. The article through analyzing the background of she minority folk song "borrow pan song", the formation process and its music form. For the formation of the minority folk songs "borrow pan song" elements and characteristics of music forms have a deeper understanding.
Key words:She minority;Jingning;She minority folk song;wedding custom ceremony;borrow pan;get badge sound;three spoke.
试论化州“跳花棚”的艺术特色
冯 丽
（广东石油化工学院音乐系，广东 茂名 525000）
摘 要:广东省化州地区的“跳花棚”，是一种带有浓厚地方色彩的传统民间舞蹈，已被列为国家级非物质文化遗产，具有较高的社会研究价值。笔者试从“跳花棚”的历史渊源、表演形式、表演内容等方面探究其艺术特色，以期进一步了解、认识它的价值所在，这将对“跳花棚”这一非物质文化遗产的传承和保护具有一定的现实意义。
关键词：化州“跳花棚”；傩舞；艺术特色；价值
Studies on Artistic Characteristics in the Flower Dance of Huazhou
FENG Li
(The music Department of Guangdong Institute of Petrochemical Technology, Guangdong, Maoming,525000 )
Abstract: F"flower dance " of Huazhou is a kind of the traditional folk dance with a strong local color which has higher social research value and has been identified as a national intangible cultural heritage. The author attempted to examine artistic characteristics in aspect of historical origin, performance form, dance style, etc. The aim is to further understand its value, which will have a practical significance for the inheritance and protection of "Flower dance ".
Key words: "flower dance " of Huazhou; exorcism dance; Artistic characteristics; value
东巴画的程式化特征研究
杨杰宏
（中国社会科学院民族文学研究所， 北京 100732）
摘 要:东巴画是东巴文化的有机组成部分，是纳西族先民创制的一种古老的绘画艺术，依附于东巴教，并直接为其仪式服务，具有浓郁的宗教性、仪式性、实用性等特点。东巴画的漫长的历史发展时期中沉淀生成了其独特的艺术风格及程式化特征，具体表现在东巴画的画谱、技法、造型、仪式应用等四个方面。东巴画的程式化特征研究必须与东巴文化的整体研究相结合，这既是东巴画研究的难点所在，也是其必由之路。
关键词：东巴画；程式化；木牌画；纸牌画；卷轴画
Study On The Stylized Features of The Dongba Painting
YANG Jie-hong
(Institute of Ethnic Literature, Chinese Academy of Social Sciences Beijing 100732 )
Abstract: The Dongba painting is an organic part of the Dongba culture. It is an ancient painting art created by ancestors of Naxi, attached to the Dongba religion and directly serve its rituals with strong characteristics of religious, ritualistic and practicality. During the long period of historical development, the Dongba painting formed its own unique artistic style and stylized features which had been shown in painting copybooks, techniques, shape and ceremony application. The Dongba painting’s stylized features must combine with the whole study of the Dongba culture, which is the difficulty of the Dongba painting research, however, it is the only way.
Key words: The Dongba painting; stylized; wooden painting; cards painting; scroll painting
山东泰安杜家庄木版年画的艺术特色
刘 芳
（内蒙古大学艺术学院美术系，内蒙古 呼和浩特 010010）
摘 要:年画顾名思义，是过年时节张贴的一种绘画样式。木版年画最初起源于民间，历史悠久，不仅是中华民族祈福迎新的“年文化”代表，而且也是一种独特的民间工艺品，一种寄托广大老百姓对美好未来憧憬的艺术表现形式。本文通过对杜家庄木版年画的起源展开研究 ,尝试分析杜家庄木版年画的形式特征：分别从其起源、题材内容、艺术特色和工艺制作几方面进行了相关研究，表现其浓厚的地域特色和艺术价值。
关键词：杜家庄；木版年画；题材内容；艺术特色
Artistic Characteristics of Woodblock New Year Pictures in Du Guzhuang Village , Tai'an City, Shan Dong Province
LIU Fang
(Art Institute Of Inner Mongolia University Of Fine Arts, Inner Mongolia Hohhot 010010 )
Abstract: New Year painting, as the name implies, is a style of painting post during the Spring Festival. With a long history, Woodblock New Year's painting initially originated in the folk, it is not only the "Years of culture" of the Chinese to pray for orientation, and also a kind of unique folk arts and crafts, a vision of art forms for a better future of the ordinary people. This article through the research of origin of Du Guzhuang village woodblock New Year pictures, try to analyze the form of characteristics: From its origin, subject content, artistic characteristic and several aspects to research the production process. In order to express its strong local characteristics and artistic value.
Key words: Du Guzhuang village; Woodblock New Year pictures; Subject matter content; Artistic characteristics
内蒙古和林格尔剪纸的田野调查
邢书宇
（内蒙古大学艺术学院，内蒙古 呼和浩特 010010）
摘 要:剪纸是我国国家级非物质文化遗产，被国家列为非物质文化遗产项目的内蒙古和林格尔剪纸更是内蒙古文化的瑰宝。内蒙古和林格尔剪纸是当地老百姓流传已久并且广泛应用在生产生活中的艺术形式，是内蒙古和林格尔地区长期居住的蒙古族和汉族人民共同创造的民族民间造型艺术形式，也是内蒙古文化艺术的具体体现。蒙汉各族人民长期和谐杂居的经济文化模式，更赋予了和林格尔剪纸独特的民俗特色和地域特色。
关键词：内蒙古；和林格尔；剪纸；民俗与地域特色
Field Investigation of Helingeer Inner Mongolia Paper Cutting
XING Shu-yu
(Institute for Art, Inner Mongolia University, Hohhot, Inner Mongolia, 010010 )
Abstract: As one of the national intangible cultural heritages in China, paper cutting, especially Helingeer Inner Mongolia paper cutting, which has been listed as a part of the intangible cultural heritage program is a great treasure to the culture of Inner Mongolia. Helingeer Inner Mongolia paper is a kind of artistic form in many ways: It is an art form that has been widely applied both in general production and people’s daily lives with a long history among local people; It is an art form that was created by the collaboration of people from Mongolian and Han, reflected in its characterized national folk styles. Also, it is an embodiment of the culture and arts of Inner Mongolia. Furthermore, with the economical and cultural pattern, which has been formed through the mixed but harmonious community consisting of people from Mongolian and Han, Helingeer Inner Mongolia paper cutting has a strong folk and regional identity.
Key words: Inner Mongolia; Helingeer; Paper Cutting; Folk and Regional Characteristics
对《安妮恨史》的超越与展望：
美国黑人剧院的黑人戏剧
（美国）乔纳森 .桑德尔1 著 张彦芬2 姜晶珂3译 李修建4校
（1，美国阿卡迪亚大学 ,美国 宾西法尼亚州格伦塞德 19038 2、3，内蒙古大学艺术学院，内蒙古 呼和浩特 010010 4，中国艺术研究院，北京 100029）
关键词：《安妮恨史》；美国黑人剧院；黑人戏剧；展望
Looking Beyond Lucasta:
The Black Dramas of the American Negro Theatre
Written by Jonathan Shandell 1 Translate by ZHANG Yan-fen2
JIANG Jing-ke3 Proofread by Li Xiu-jian4
（1.Arcadia University(Glenside) ,America ,19038 ,2.3. Art College of Inner Mongolia University,Hohhot,Inner Mongolia 010010 4. Chinese National Academy of Arts, Chaoyang District, Beijing, 100029 )
Key words: Anna Lucasta;the American Negro Theatre;the Black Dramas;looking Beyond
文化产业背景下艺术批评的当下意义
——《艺术智慧：对艺术消费客体质量的思辨》之思辨
葛丽英
（内蒙古大学艺术学院，内蒙古 呼和浩特 010010）
摘 要:在艺术发展的历史进程中，艺术批评增进了人们对艺术作品的进一步理解、推动了艺术作品更为广泛的传播；在文化产业发展的全新背景下，艺术批评同样应该承担起自身的责任。艺术评论集《艺术智慧：对艺术消费客体质量的思辨》面向近年来国内流行艺术与区域民族艺术两大文化市场，带着深厚的民族情感、立足艺术生产与消费视角，从审美的高度，对以蒙古族艺术为主的戏剧、影视、歌舞、造型等四大门类艺术作品进行了深度的分析与解读，是一部集多年艺术批评实践与学术智慧于一体的心血之作。
关键词：文化产业；艺术批评；艺术智慧；市场；消费；审美
The Contemporary Significance of Art Criticism in the
Background of Cultural Industry
——On "Artistic Wisdom: the Speculation on the Quality of the
Object of Art Consumption"
GE Li-ying
(Arts College, Inner Mongolia University, Hohhot, Inner Mongolia, 010010 )
Abstract: In the historical process of the development of art, art criticism enhances people's further understanding of art works and promotes the wider dissemination of art works; in the new background of cultural industry, art criticism should also assume their responsibilities. For domestic pop art and national art two cultural markets in recent years, with a strong national sentiment, based on the production and consumption of art, and from the perspective of aesthetic height, art commentary “Art Wisdom: the Speculation on the Quality of the Object of Art Consumption” makes a deep analysis and interpretation on the Mongolian arts-based drama, film, dance, modeling, and other four major categories of art works, and is a set of many-year art critical practice and academic wisdom in one.
Key words: Cultural Industry; Art Criticism; Art Wisdom; Market; Consumption; Aesthetics