《内蒙古大学艺术学院学报》2012年第4期中英文目录
中国蒙古三弦的地方传统及其传承形态…………………博特乐图 石田立(5)
蒙古三弦史料札记……………………………………………………乌兰杰(13)
论三弦源流的多元性…………………………………………阎定文 聂新荣(16)
畲族服饰的现实困境与传承保护
——以霞浦畲族服饰保护为例………………………………… 龚任界(19)
德榜苗族银饰锻制技艺的现状调查………………陈剑 焦成根 唐慧 刘雯(23)
试析科尔沁蒙古族服饰刺绣工艺中过渡色的搭配习俗………………明 兰(35)
当代汉服复兴运动的文化反思…………………………………………韩 星(38)
西藏艺术及其文化精神
——由一次人类学考察想到的………………………………… 刘明亮(46)
反思非物质文化遗产：身体和时间的维度……… 荻野昌弘 著 李修建 译(51)
居其宏音乐批评特征探微………………………………………… 王 可(54)
民族音乐文化在当代的多元书写
——《书写民族音乐文化》评介……………………………… 李红梅(59)
浅论蒙古高音四胡演奏技巧的“润腔”手法……………………… 包爱玲(65)
长调民歌音乐中的装饰性节奏形态分析……………………………石亚晶(72)
蒙古族民歌旋律发展探微
——以一段体中的两乐句结构为例………………………………杨玉蓉(79)
畲族民歌词曲特点及其关系探析………………………………………洪 艳(84)
钢琴组曲《深藏在心底的歌——长调》创作风格技法探析………………………包乐尔(94)
《炎黄风情》音乐形态探析…………………………………………张 鑫(103)
浅析阿拉腾奥勒小提琴独奏曲《草原晨曲》的和声风格特征……高婀娜(110)
蒙古族叙事民歌《韩秀英》故事角色……………………………萨仁图雅(118)
从认知心理学视角解读歌唱听觉特征………………………………孙一迪(123)
内蒙古演艺市场的发展对策研究……………………………………刘筠梅(127)
新疆乌鲁木齐市艺术培训市场存在的问题及其对策研究………………李 婷(134)
The Local Tradition and the Inheritance and Form of Mongolian Three-stringed Instrument in China……………………………………………Botolt SHI Tian-li(5)
The Reading Notes of historical material of Mongolian Thre-stringed Musical Instrument…………………………………Ulaanjee(13)
On the Diversity of Origin and Development of Three-stringed Instrument………………………YAN Ding-wen NIE Xin-rong(16)
The Actual Dilemma and the Inheritance Protection of She Clothing
——A case study of Xiapu She nationality clothing protection………………GONG Ren-jie(19)
Investigation of the Present Situation of Debang Miao Silver ForgingSkil……………………………………………CHEN Jian JIAO Cheng-gen TANG Hui LIU Wen(23)
An Approach to Collocation Custom of the Transition Color in Horchin Mongolian Clothing Embroidery Technology……………………………………………MING Lan(35)
The Culture Introspection of the Contemporary Han Clothing Renaissance…HAN Xing(38)
Tibetan Art and Its Cultural Spirit-Inspired by anthropologyinvestigation………………………………LIUMing_liang(46)
Introspection of Intangible Cultural Heritage: the Body and Time Dimension…………………………………………Written by Masahiro Ogino Translated by LI Xiu-jian(51)
An Approach to Features of JU Qi-hong's Music Criticism……………………WANG Ke(54)
The Contemporary Multiple Writing of the National Music Culture
——A review of the book Writing National Music Culture………………………LI Hong-mei(59)
An Approach to the "Embellish cavity" Technique of Mongolia High-pitched Sihu Playing Skills………………………………………………………………………………BAO Ai-ling(65)
Analysis of the Decorative Rhythm Form of the Long-tune Folk Song Muisc………………………………………………………………………………………SHI Ya-jing(72)
An Approach to the Mongolian Folk Song Melody Development
——A case study of the two -music -sentence structure paragraph……………YANG Yu-rong(79)
The Characteristics of the Folk Song Lyrics and Music of She People and the Analysis of their Relationship…………………………………………………………………HONG Yan (84)
On the Creation Style Techniques of Piano Cento "Hidden in my heart——Long-tune"…………………………Bolor(94)
Analysis of the music form of "Yan huang feng qing"………………………ZHANG Xin(103)
On the Harmony Style Characteristics of Alatan-agula's Violin Solo, the Prairie Alba……………………………GAO E-nuo(110)
The Roles in Mongolian Narrative Folk Song "Han Xiuying"…………………Sarantuya(118)
Interpretation of the Singing Auditory Feature from Cognitive Psychology Perspective
………………………SUN Yi_di(123)
Research on the Countermeasure of Inner Mongolia Entertainment Market Development
……………………………LIU Jun- mei(127)
Xinjiang Urumqi Art Training Market Problems and the countermeasures………………………………LI Ting (134)
Volume lndex for 2012 ………………（139）