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《内蒙古大学艺术学院学报》2017年第1期目录

[日期:2017-05-02] 来源:  作者: [字体: ]

《内蒙古大学艺术学院学报》2017年第1期目录 

北温带人类主要族群不存在也不可能存在“面向南”确定方向的方式………阿尔丁夫(5)

从现代性的建构到后现代的交融

——现代文化馆的性质、功能流变分析………………………………………亢宁梅(14)

反思与再造:非物质文化遗产的社区传播………………………………………王亮(21)

活化传承的山村实践

——以“土风计划”为观照…………………………………………………卢芳芳(27)

河州贤孝的题材语言、说唱形态与功能展望…………………………………刘元平(36)

世界艺术研究和中国艺术史学………………………曹意强著李修建陈宁译(44)

文化历史视角下的爱斯基摩人螺丝技术…………………………………………………巴托尔德•劳费尔 著 景 磊 白雪 译 毛 铭 校(51)

蒙古长调歌是如何传承的?

——群体歌手、宴会舞台与德都蒙古长调歌表演………………………傲东白力格(56)

“乌戈”与“艾伊”:

——音乐人类学视野中解析科尔沁蒙古族萨满唱词与旋律同构关系……周·特古斯(63)

试析马头琴传承中的喜与忧(下)……………………………………………刘婷婷(70)

湛江“人龙舞”的美学向度……………………………………………………洪艳(74)

浅谈藏族传统舞蹈《迪庆热巴》的传承与变迁………………………………阿新(79)

舞蹈改编与黔西北彝族“恳合呗”(铃铛舞)的变迁……………………刘剑周宇(86)

乐亭大鼓发展及传承保护工作的田野调查……………………………………方欣(92)

《凯尔经的秘密》宗教图像符号的装饰性与象征性解读……………黄柏青刘湘宁(97)

湖北战国楚地漆器造型艺术及工艺………………………………………张启彬(104)

对地方式建筑彩画保护的思考

——以河湟地区考察为例…………………………………………………王晓珍(109)

山西长治堆锦艺术的田野调查………………………………………………王玥(116)

蒙古族音乐研究百年(十一)……………………………………博特乐图郭晶晶(121)

20 世纪50 年代以来有关“清代祭孔释奠礼乐研究”的述评…………………洪江(128)

以国际化的视野培养本土艺术人才

——“内蒙古艺术学院北欧国际视觉艺术工作室”巡礼……………王鹏瑞王苑(133)

• 补 白•……………………………………………………………(13)(20)(69)(85)

Contents

Non-existence and Impossibility of Orientation by“Facing South”among Major Ethnic Groups in the NorthTemperate ZoneCollege of Liberal Arts,Inner Mongolia Normal University………………Ardin-huu(5)

From modernity’s constructing to post-modernity’s blending

——Analysis on character、functional flowing of modern cultural house………Kang Ning-mei(14)

Reflection and reconstruction:Community communication of intangible cultural heritage…………………

…………………………………………………………………………………………Wang Liang(21)

The Rural Practice of Motivated Inheritance

——With an eye on Tufeng project……………………………………………………LU Fangfang(27)

The Prospect of the Theme Language,the Forms of Saying and Singing,and the Functions of Hezhou Xianxiao………………………………………………………………………………LIU Yuan-ping(36)

World Art Studies and the Historiography of Chinese Art…………………………………………………

Written by Cao Yiqiang,translated by Li Xiujian Chenning(44)

The Eskimo Screw as a Culture-Historical Problem………………………………………………………

Written by Berthold Laufer Translate by JING Lei BAI Xue Proofread by MAO Ming(51)

Mongolia long tune song is how to inherit?

——Group singer,stage performance and the Deed Mongolian long tune folk songs………………………

………………………………………………………………………………………Aodongbailige(56)

"Ugo"and"Eye":An Analysis of the Isomorphistic Relationship Between Khorchin Mongolian Shaman Lyrics andMelody from the Perspective of Ethnomusicology………………………………………………

………………………………………………………………………………………ZHOU Tegusi(63)

Analysis Morin Khuur Inheritance of the Joy and Worry(Part two)……………………Liu Tingting(70)

The aesthetic aspect about Zhanjiang“Human Dragon Dance”…………………………Hong Yan(74)

Briefly Analyzing the Inheritance and Change of Tibetan Traditional Dance:Diqing Reba…A XIN(79)

Dance Adaptation and the Evolution of the yi Minority Ritual Dance in Northwstern Guizhou……………

……………………………………………………………………………………Liu Jian Zhou Yu(86)

Field Investigation on Development and Inheritance Protection of Laoting Drums…………Fangxin(92)

The Secret of Kells:the Decorative and Symbolic Interpretation of Religious Image Symbols……………

…………………………………………………………………………Huang Baiqing Liu Xiangning(97)

The Plastic Arts and Craft of Chu Lacquer in Hubei Province during the Warring States………………

………………………………………………………………………………………ZHANG Qi-bin(104)

Consideration the Protection of Local Architecture Decoration Painting

——Based on the HeHuang Region Investigation………………………………Wang Xiao-zhen(109)

Fieldwork on Changzhi Dui Jin in Shanxi Province……………………………………Wang Yue(116)

Centuries Research on Mongolian Music(PartⅪ)………………………Boteletu,GUO Jingjing(121)

A review of Shidian music for Confucius in Qing Dynasty since 1950s…………………Hong Jiang(128)

The Cultivating Paradigm of Local Artistic Talent Under the International Vision

——Visit of Northern Europe International Visual Art Studio of Inner Mongolia Art College

…………………………………………………………………………Wang Pengrui Wang Yuan(133)

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