……………ZHANGYan-fen（77）
FieldworkonHetaoDoughFigurinesinInnerMongolia
…………………………………………………………………………LIUYa-chao（83）
StagesandConnotationofSquattingRockArtinAmericanArea
………………………………………………………ZhangJiaxin,SunXiao-yong（89）
AnthropologicalInterpretationofJuyePeasantPaintingsDevelopmentintheProcessofUrbanization…………………………………………………………………XINGNan-nan（96）
TheLocalDesignFeatureofMeiPinganditsEvolutionfromSongDynastytoQingDynasty………………………………………………………………………………LIHang（105）
TheAnalysisofChina'sNorthernGrasslandsBronzeDecorationArt
………………………………………………………………………GuoDong-mei（111）
ApplicationofFolkArtElementsinChineseContemporaryOilPainting
——OntheHeritageandProtectionofFolkArtElementsintotheClassroom……………………………………………………………………AOYu-mei（117）
AfterMurderingtheGod:ModernChangesofFuneralRitualandItsMusicinWestBeijing………………………………………………………………………………YAOHui（121）
TheNewLanguageCommunicationMethodforNaxiLanguageinTheMultimedia………………………………………………………………ZHUYong-qiang（128）
Internationalvision,patriotism,andlocalaction
——StrategicthinkingoftheinheritanceanddevelopmentofnationaltraditionalsportsfromtheperspectiveofGlobalization………………………………………LvShao-jun（132）
ArtAnthropologyTheoryResearchandLocalExperienceFieldworkExpansion
——Summaryon2014ChinaInternationalConferenceonArtAnthropology
………………&helli