seek to find a daily routine that best helps us prepare for our day of playing, recover from prior days of playing.
Key words:  Cdaily routine；physical instrument ；musical technical；trumpet playing
功能性转换与拙朴之美的强化
——论荣昌传统夏布工艺文化及其当代创新发展
李雪艳
（南京晓庄美术学院，江苏省南京市  210013）
摘要：荣昌夏布的织造工艺有着悠久的历史，并在传统生活中发挥着衣饰帷帐等植物性纤维织物的重要日用功能；其独特的浆漂工艺使夏布轻薄细密，色泽莹润的优良品质得以最终实现；荣昌夏布材质、肌理、工艺场景特有的拙朴之美，在当代夏布创新工艺发展中得以强化，并赋予夏布扇、画以沉静、古朴的风格；夏布现代日用品的功能性转向，返璞归真的生活理念、传统与时尚结合的设计理念将被不断呈现。
关键词：荣昌夏布；浆漂工艺；拙朴之美；当代创新
Functional Transformation and Strengthening of Simple Beauty 
            ——Rong-chang County Traditional Linen Craft Culture and Its Contemporary Innovation and Development
Li Xue-yan
(Colleg of Fine Arts ,Nanjing Xiaozhuang University,Nanjing,Jiangsu,210017)
Abstract: Grass linen weaving technique has a long history in Rong-chang County , and it Plays an important part,such as Clothes, mosquito nets and other plant fiber fabric in traditional daily life. Special jiang-piao craft makes the grass cloth light, thin, dense, smooth and look shining. The unique natural beauty of material, texture and workplace about Rongchang linen, has been strengthened through contemporary innovation and development, and it gives fans and Paintings simple style simultaneously which is made by grass cloth .The design concept of functional transformation , simple life philosophy, and combination of traditional and modern fashion appears continuously.
Key words: Rong-chang County traditional linen;Jiang-Piao craft ; Simple beauty;Contemporary innovation
川东北木雕“牛王菩萨”的文化意蕴
李东风 
（西华师范大学美术学院，四川    南充  637002）
摘 要:牛成为民间的保护神，渊源于远古的动物图腾信仰，后来演变为动物神。秦代已有祭牛神的风俗。川东北地区有供奉“牛王菩萨”的习俗，大多为20-40公分左右的木雕造像，木雕作品的菩萨和牛，形象生动、姿态各异。造像把对牛的图腾崇拜和佛教菩萨信仰结合在一起，其文化意蕴已经不是单一的宗教祭祀，是农耕文化的体现。是道教、佛教、原始图腾崇拜的综合体，充分传达出中国民俗文化的特点，具有表达农耕文化的符号意义。迄今为止川北的南部县每年都有牛王会。
关键词：牛王菩萨；牛图腾崇拜；摩醯首罗天；老子像；民俗信仰；法器
Cultural Implications of Wood Carving “Cattle King
Bodhisattva” in Northeast Sichuan
LI Dong-feng
(Fine Arts Department, China West Normal University, Nanchong, Sichuan, 637002)
Abstract: Cattle became folk patron God from an animal totem belief, and later it evolved into an animal god. There was a custom of offering sacrifice to Cattle God in Qin. “Cattle King Bodhisattvas” were enshrined in northeastern Sichuan which were mostly around 20-40 cm wooden carvings. Carvings of Buddha and cattle were vivid with various shapes. Carvings combine