archMethodsandtheApplicationinPractice……………………………………………………………………………MaLiang（60）
ReflectionsonNazeMusicEthnographyResearch………………………ZHOUTeGuSi（65）IntroductiontoManHanDiaoArtisticCharacteristics………………………LiuHai-ping（69）CenturiesResearchonMongolianMusic(PartⅤ）………………Boteletu，GUOJing-jing（74）ModernFolkSongsandtheEcologicalCivilizationconstruction
  ——TakeModernNorthernShanxiFolkSongsasanExample……WangJie,ShiTian（86）
TheFusionoftheNationalMusicTheoryAndtheWesternMusicTheory
  ——LIShi-xiang"IntroductiontoMongolianLong-tuneFolkSongs"MonographReview…………………………………………………………BAOMing-de,BAOHui-ling（92）ReflectionsofethnictraditioninIndianRockArt:WithspecialreferencetoKaimurRockArt……………………………WrittenbyDr.SachinKr.Tiwary，TranslatedbyZhangJia-xin（96）TheBriefAccountofNationalHistoryofArtSince1980s………………ZHAOPan-chao（104）ViewingontheSubstanceFeelingPresentedbyContemporaryArtisticVisionandtheLackofExpressioninArtisticLanguage…………………………WANGYi,CHANGWen-Jie（109）ParataxisBetweenBrushworkinOilPaintingandCalligraphy……ZHANGChun-hui（113）
AnalysisonConceptionofCulturalInheritanceinDocumentaryFilm
  ——ASampleofChineseNewYearFolklore……………………………Song Ying（118）
SourceresearchingoftheFixedformofWugenginEr-ren-tai………………WU Jun（125）OnInnerMongoliaWulanmuqiInheritanceofIntangibleCulturalHeritage
…………………………………………………………………HAOFeng-cai，NADa-han（132）