bis（11）
The Methodological Significance of “Field”and The Case Analysis
——The Chinese Traditional Music in Concert Hall ……WANG Wenzhuo（15）
Exploration and Practice of Inter-discipline Subject Perspective of Chinese Traditional Musical Visual Ethnography:An Restudy Example of Dongjing music in Lijiang City ………………………………………………WU FAN（21）
Introduction: European encounters with ‘primitive art’ during the late nineteenth century…………………………………………………………………………………
Written by Raymond Corbey and Wilfried Van Damme Translate by WANG YongjianProofread by Li Xiujian（33）
Global implications of early surviving rock art of greater Southeast Asia ……………………Written by Paul S.C. Tac¸onTranslate by Wu Yun （40）
History of Art and Anthropology of Art ……………………………Written by Claude-François Baudez Translate by CUI Qiaoye Proofread by Li Xiujian（ 49）
Analysis of the Developing Process of Horin Wulger …………QI Zhanzhu（53）
The Musical Features of Pajie's Hurenwuliger Work The Story of Chengyaojin …………………………………………………………NaRiNa （57）
A Review of Research on Mongolian Long-song from Perspective of Musical Aesthetics ……………………………………………………………HOU YAN（66）
Rei Gong “June Assembly“ Festival, Musical Analysis of ( Le Shi Ze) Rite ………………………………………………GUO xiaohong LU kesheng（ 72）
A Symphonic Poem Resounding Through The Grasslands
——On Ethnic Characteristics of Magnificent Mu Ge …………GAO Enuo （77）
Aesthetic Function Evolution of Sonata Form Structural Principle and Enlightenment……………………………………………………………LI MO（83）
Centuries Research on Mongolian Music(Part Ⅸ ) ……………………………
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