College of Shanxi Normal University, Linfen, Shanxi, 041004)
Abstract: Pierre Bourdieu’s field theory is enlightening to study of Ethnomusicology.This theory can be used toexplain the meaning of object in the study and to analysis the cross- field music practice.The traditional music into theconcert hall is one of the typical cases.Cross-field music practice will make the traditional music to remodel the meaningin different field.The traditional music practice in concert hall will cut the cultural ecological chain of original field.This isreflected in the change of music-making and sound structure.From the perspective of hermeneutic,The change of field willlead to the emergence of new “interpretation horizon”and affect the process of interpretation.
Key words: Field; Traditional music;Concert hall; Meaning
多重视域下的中国传统音乐
影像民族志之探索与实践
——以丽江洞经音乐再研究为例
吴 凡
（华中师范大学音乐学院，湖北 武汉 430079）
摘 要: 自2014 年成功申报了华中师范大学中央高校基本科研业务费专项资金支持计划的优势课题培育项目《中国传统音乐文化影像民族志大系及其研究》以来，希望能够充分借力大学的多学科平台优势、音乐学院的团队特色和自身在学业上的积累，将科研、教学与艺术实践三个方面结合起来设计和研究。论文阐述了近三年来研究项目设计和进展情况。鉴于目前该项目仍旧处于进行时态，仅侧重于“探索与实践”的理念建构与进展分析，而并非是终止式的结语。主要内容分为四个部分：1. 课题理念缘起；2. 课题整体设计；3. 课题个案阐述：丽江洞经音乐再研究；4. 课题后续进行时。
关键词：跨学科；再研究；影像民族志
Exploration and Practice of Inter-discipline Subject Perspective
of Chinese Traditional Musical Visual Ethnography: An RestudyExample of Dongjing music in Lijiang City
WU FAN
(Chinese normal university, Music Department, Hubei Province, Wuhan City, Post Code 430079 )
Abstract: Since 2014, when the advantage project Chinese Traditional Musical Visual Ethnography Series andits research was successfully approved in CCNU, I hope to combine three aspects in it ,which are study & education &performance. This paper interpretate the design and progress in past three years. As it is on-going, I prefer to analysisthe concept construction of exploration and practice, but not an conclusion. The main content is divided into four parts:concept, design, an restudy example of Dongjing music in Lijiang city, and project follow-up.
Key words: Inter-discipline subject; Restudy; Visual Ethnography
论19 世纪晚期欧洲与“原始艺术”的相遇
（荷兰）雷蒙德• 科比1, 范• 丹姆 2 王永健3 译 李修建4校译
（1 荷兰蒂尔堡大学人文学院，蒂尔堡 荷兰 2. 荷兰莱顿大学，莱顿 荷兰
3.4. 中国艺术研究院，北京 100029）
Introduction: European encounters with ‘primitive art’ during
the late nineteenth century
Written by Raymond Corbey1and Wilfried Van Damme2， Translate by WANG Yongjian3
Proofread by Li Xiujian4
(1.Tilburg University and the Faculty of Archaeology, Tilburg,Netherlands
2. Leiden University,Leiden,,Netherlands
3.4.