ip;………………………………王玥（116）
蒙古族音乐研究百年（十一）……………………………………博特乐图郭晶晶（121）
20 世纪50 年代以来有关“清代祭孔释奠礼乐研究”的述评…………………洪江（128）
以国际化的视野培养本土艺术人才
——“内蒙古艺术学院北欧国际视觉艺术工作室”巡礼……………王鹏瑞王苑（133）
• 补 白•……………………………………………………………(13)(20)(69)(85)
Contents
Non-existence and Impossibility of Orientation by“Facing South”among Major Ethnic Groups in the NorthTemperate ZoneCollege of Liberal Arts,Inner Mongolia Normal University………………Ardin-huu（5）
From modernity’s constructing to post-modernity’s blending
——Analysis on character、functional flowing of modern cultural house………Kang Ning-mei（14）
Reflection and reconstruction:Community communication of intangible cultural heritage…………………
…………………………………………………………………………………………Wang Liang（21）
The Rural Practice of Motivated Inheritance
——With an eye on Tufeng project……………………………………………………LU Fangfang（27）
The Prospect of the Theme Language,the Forms of Saying and Singing,and the Functions of Hezhou Xianxiao………………………………………………………………………………LIU Yuan-ping（36）
World Art Studies and the Historiography of Chinese Art…………………………………………………
Written by Cao Yiqiang,translated by Li Xiujian Chenning（44）
The Eskimo Screw as a Culture-Historical Problem………………………………………………………
Written by Berthold Laufer Translate by JING Lei BAI Xue Proofread by MAO Ming（51）
Mongolia long tune song is how to inherit?
——Group singer,stage performance and the Deed Mongolian long tune